1. is part of the beginning of the film.
2. symbolises the end of the industrial society.
3. is misguided since the settlement is too new.
4. symbolises the rediscovery of modernity.
is part of the beginning of the film.
1. by exhibiting the moral vacuum of the pre-modern world.
2. by turning him into a mythical figure
3. through hallucinatory dreams and visions.
4. through Arseniev's nostalgic, melancholy ruminations.
through Arseniev's nostalgic, melancholy ruminations.
1. serves to highlight the difficulties that Dersu faces that eventually kills him.
2. shows the difference in thinking between Arseniev and Dersu.
3. shows the code by which Dersu lives that allows him to survive his surroundings.
4. serves to criticize the lack of understanding of nature in the pre-modern era.
shows the code by which Dersu lives that allows him to survive his surroundings.
1. by showing him as not being derisive towards Dersu, unlike other soldiers.
2. by showing him as being aloof from other soldiers.
3. through shots of Arseniev writing his diary, framed by trees.
4. all of the above.
all of the above.
1. The film makes its arguments circuitously.
2. The film highlights the insularity of Arseniev.
3. The film begins with the absence of its main protagonist.
4. None of the above
The film begins with the absence of its main protagonist.
1. they have adopted the principles of 'formal' equality rather than 'substantive' equality.
2. 'formal' equality whets people's appetite for 'substantive' equality.
3. systems that rely on the impersonal rules of 'formal' equality lose their ability to make large changes.
4. of the conflict between a 'progressive' executive and a 'conservative' judiciary.
systems that rely on the impersonal rules of 'formal' equality lose their ability to make large changes.
1. Principle of equality before the law.
2. Judicial activism.
3. A conservative judiciary.
4. Need for discipline.
A conservative judiciary.
1. A, B, D but not C
2. A, B but not C, D
3. A, D but not B, C
4. A, B, C but not D
A, B, D but not C
1. democratic principles do not encourage heroes.
2. there is no urgency for development in democratic countries.
3. heroes that emerged in democracies would become despots.
4. aristocratic society had a greater ability to produce heroes.
democratic principles do not encourage heroes.
1. in the context of extreme inequality, the issue of leadership had limited significance.
2. democracy is incapable of eradicating inequality.
3. formal equality facilitates development and change.
4. impersonal rules are good for avoiding instability but fall short of achieving real equality.
impersonal rules are good for avoiding instability but fall short of achieving real equality.