1. "Define the place of the poet in his culture."
2. "Reflect on the role of the oarsman and the singer."
3. "Muse on artistic labour and its aimlessness."
4. "Understand the elements that one has to deal with."
5. "Delve into natural experience and real waves."
Define the place of the poet in his culture.
"1. "BABAB"
2. "ABBBA"
3. "BAABA"
4. "BBAAB"
5. "ABABA"
ABABA
"1. "BAABA"
2. "BBBAB"
3. "AAABA"
4. "BBAAB"
5. "BABAB"
BBBAB
"1. "More generally, data concerning the identities and relationships of the characters in the story are required if one is to understand role structure and social networks in which process is embedded."
2. "Personification of a whole organization abstracts away from the particular actors and from traditional notions of level of analysis."
3. "The personification of a whole organization is important because stories differ depending on who is enacting various events."
4. "Every story is told from a particular point of view, with a particular narrative voice, which is not regarded as part of the deep structure."
5. "The personification of a whole organization is a textual device we use to make macro-level theories more comprehensible."
The personification of a whole organization is a textual device we use to make macro-level theories more comprehensible.
"1. "Yet, despite these technical development, photographs still remain powerful because they are reminders of the people and things we care about."
2. "Images, after all are surrogates carried into battle by a soldier or by a traveller on holiday."
3. "Photographs, be they digital or traditional, exist to remind us of the absent, the beloved, and the dead."
4. "In the new era of the digital image, the image also have a greater potential for fostering falsehood and trickery, perpetuating fictions that seem so real we cannot tell the difference."
5. "Anyway, human nature being what it is, little time has passed after photograph's invention became means of living life through images."
Photographs, be they digital or traditional, exist to remind us of the absent, the beloved, and the dead.
"1. "Historical explanations are usually broad so that no prediction is possible."
2. "Historical outcomes depend upon a large number of factors and hence prediction is difficult for each case."
3. "Historical sciences, by their very nature, are not interested in a multitude of minor factors, which might be important in a specific historical outcome."
4. "Historians are interested in evolution of human history and hence are only interested in longterm predictions."
5. "Historical sciences suffer from the inability to conduct controlled experiments and therefore have explanations based on a few long-term factors."
Historical explanations are usually broad so that no prediction is possible.
"1. "Students of history are missing significant opportunities by not conducting any natural experiments."
2. "Complex societies inhabiting large islands provide great opportunities for natural experiments."
3. "Students of history are missing significant opportunities by not studying an adequate variety of natural experiments."
4. "A unique problem faced by historians is their inability to establish cause and effect relationships."
5. "Cultural anthropologists have overcome the problem of confounding variables through natural experiments."
1. "B, C & E"
2. "C only"
3. "E only"
4. "C & E"
5. "C, D & E"
E only
"1. "A, B & E"
2. "B, C & E"
3. "C & D"
4. "E only"
5. "B only"
B only
"1. "Loyalty between a group of scientists in a research laboratory"
2. "Loyalty between a group of scientists across research laboratories"
3. "Loyalty to a certain paradigm of scientific inquiry"
4. "Loyalty to a global patterns of scientific inquiry"
5. "Loyalty to evolving trends of scientific inquiry"
Loyalty to a certain paradigm of scientific inquiry
"